Cultural and Mystical Oriental Influences in Albanian Literature (Naim Frashëri, Dritëro Agolli)
Cultural and Mystical Oriental Influences in Albanian Literature (Naim Frashëri, Dritëro Agolli)

Summary/Abstract: This article explores the role of mysticism, spirituality, and cultural synthesis in Albanian literature, using the works of Dritëro Agolli and Naim Frashëri as central case studies. The analysis of Agolli’s The Devil’s Chest reveals how his integration of Bektashism functions as a philosophical and spiritual bridge between Eastern and Western traditions. Agolli portrays key mystical practices, such as the Sema dervish dance, while weaving themes of secrecy,hidden manuscripts, and the quest for truth, all of which are emblematic of both Sufi mysticism and Western literary forms. These motifs reflect Agolli’s post-communistliterary engagement with Albania’s spiritual landscape, positioning Bektashi principles as a source of inclusion and personal fulfillment. The article also explores Naim Frashëri’s contributions, particularly his allegorical exploration of mysticism and his depiction of the quest fortruth, offering insights into his influence on Albanian literary spirituality. The comparison between these two authors demonstrates the broader cultural dialogue between Eastern and Western ideologies, highlighting how both authors navigate the intersection of religious identity and cultural pluralism. Through the analysis of Agolli and Frashëri, the article asserts that their works providecrucial insights into the evolving literary articulation of spirituality and cultural integration in post-dictatorship Albania.

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