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Kultura fetare bektashiane dhe roli i saj në Rilindjen kombëtare shqiptare

Author(s): Memli Sh. Krasniqi,Violeta Krasniqi / Language(s): Albanian Issue: 46/2016

Throughout the history of the world the impact of religion on literarature and musical creativity is very well known. Many of the world's masterpieces in literature and music had as the primary inspiration the mystical connections of humans with the creator. Such an influence, in the musical creativity of composers like Mozart and Beethoven had the Sufi orders of Mevlevi and Bektashi. Whereas, Sufism had a greater influence in the Albanian spiritual culture, especially the Bektashi order. Consequently, a large number of works written in Albanian language with Arabic script were a product of the influence of Bektashi and other Sufi orders.

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Tipat e ligjërimit në ditarin e Rexhep Qosjes

Author(s): Shefkije Islamaj / Language(s): Albanian Issue: 46/2016

Rexhep Qosja’s journal Witness in historical time with current seven volumes, the content, the themes, ideas, thoughts, structure, language, and style has not only cultural, historical and political value, but also artistic, linguistic and scientific importance. It is a comprehensive, holistic, coherent, and systematic journal in both aspects, content and linguistic-textual one. It can also be called mosaic-journal of encyclopaedic character. Our observation confirms that the author has never, in any writing period, used predetermined forms of journalistic writing, but was always keen to merge various scriptural types, sometimes even putting discourses and functional styles in unusual but interesting juxtaposition and opposition. And, precisely this way of writing gives this journal the special mark of originality. Hence, it can be said that from the aspect of discourse, the journal represents the most complete form in which can be investigated the typology of Albanian discourse and functional styles. The author, Rexhep Qosja, has masterly and with rare talent achieved to make discourse and inter-stylistic blending or “collages” by developing a “vival” and attractive text not only for the attentive reader.

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Koncepti i tjetrit si realitet i ekzistencës së letërsisë dhe si fenomen ekzistencial për (ri)bërjen e vetes

Author(s): Arben Hoxha / Language(s): Albanian Issue: 46/2016

In this paper we see the concept of the other in literature not as a cognitive-sensory concept within the artistic structure of literary work, but as a category of teleology of literary epistemology from the viewpoint of art philosophy phenomenology and existential communication. Diffuse relationship of self and the other objectified in Albanian literature speaks of diffuse stance that our self-consciousness has towards individuality and our collective identity. In most of Albanian literature the ego reveals itself as being, whose existence is determined by the extent of highlighting the difference and seclusion from the other and the possibility of its extinction, or even defence against him. In fact, the conception of the relationship of self to the other, encountered in Albanian literature, speaks of the possibilities and position of narrow borders that impede the realization of our consciousness and its raising into self-consciousness. Incorrect conceptualization of the subject’s relation to the object will have negative consequences resulting in incorrect configuration of the relation between the Ego and the consciousness of the creator. Sensory and perception consciousness, expressed in Hegelian terms, will not be able to be raised at the level of intellectual consciousness, because it will always be in relation to un-real/false Ego, which will lack sufficient integrative capacities for reality of own existence as well as integrative and inciting powers of the consciousness to reach to the highest level of its existence – at the level of self-consciousness. This is the reason why a greatest part of Albanian literature will not have emancipator role. On the contrary.

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Kritika dhe recensione

Author(s): Aferdita Abdullahi,Faton Krasniqi,Fitim Veliu,Ardian Haxhaj,Faton Osmani / Language(s): Albanian Issue: 46/2016

Shefkije Islamaj, Gjuha – teksti dhe konteksti, Instituti Albanologjik, Prishtinë, 2014, f. 370. Lindita Aliu‐Tahiri, “Gjuha dhe lufta e ideve”, “Naimi”, 2013, 318 f. Hysen Matoshi, Qasje albanologjike, botoi Instituti Albanologjik, Prishtinë, 2016, f. 384. Dr. Gëzim Aliu, Romanet e Ismail Kadaresë 1963‐1990. Retorika e tekstit dhe narracioni, Instituti Albanologjik, Prishtinë, 2016, f. 524 Kosova ‐ vështrim monografik, Akademia e Shkencave dhe e Arteve e Kosovës, Prishtinë, 2011

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Dëshmi të oralitetit në sistemin narrativ të prozës së Mitrush Kutelit

Author(s): Kastriot Gjika / Language(s): Albanian Issue: 01-02/2015

It is said and believed, in up to date studies, that the “kutelian” literature (especially the prose) is structured as modern literature. One of the features of which is the presence in its stylistic composition, of some phenomena and aspects of orality. In fact, it is only mentioned this feature, because in reality, our studies on orality have been and still are incomplete. Even in this author’s case, treating him as a modern prose author, has conditioned the study of orality not only as a point of view, but even as a pragmatic way of investigating these texts’ compositions. Studying for a long time the narrative texts of Kuteli, I’ve come to the conclusion that the axis of orality (agreeing that his work is not only multidimensional, but multi-axial too) it is even more essential and inherent than we could have noticed until now. There are many testimonies to prove this hypothesis and our work takes on to investigate them.

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“Meshari” i Gjon Buzukut, çelës për leximin e teksteve biblike në gjuhën shqipe

Author(s): Evalda Pagi / Language(s): Albanian Issue: 03-04/2015

“Missel” (Meshari) of Gjon Buzuku, a key for the reading of biblic texts in Albanian languageThe “Missal” of Gjon Buzuku has attracted the attention of many researchers because of its special structure and content. One of the most important issues immediately related with this book remains the dissimilar nature of the texts that comprise it, as well as the visible linguistic diversity that can be traced in the different parts of the book itself. The tradition of the studies about this book has consistently recorded a number of achievements that have been made concrete in in-depth research work, but also in philological and critical publications that have enabled an easier approach to study the content and to track down the most important features of his texts construction.

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Polemistë të rinj bashkëkohorë - modele të tejkaluara polemikash

Author(s): Virion Graçi / Language(s): Albanian Issue: 03-04/2015

This paper aims to draw attention to some of the protagonists’ polemics in the Albanian cultural and literary media after the restoration of freedom of thought and expression. The study will consider some of the cases of prominent controversies on literary and cultural matters not to affirm the model but to keep critical stance, distancing the benefit of a morality of the methodology acceptable intellectual and professional.

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Botimi dhe studimi i veprës së gjeniut (Noli në Kosovë)

Author(s): Myrvete Dreshaj-Baliu / Language(s): Albanian Issue: 03-04/2015

The semi-centennial tradition of historical-literary studies in Kosovo has distinguished three authors of the first part of the 20th century: Fan.S. Noli, Lasgush Poradeci and Millosh Gjergj Nikolla - Migjeni. It is rare to find Kosovar researchers who have not written a historical-literary, publicistic, historical, biographical, commemorative or a literary text, without having one of these authors as object of approach. Unlike Migjeni and Lasgush Poradeci, who had their admirers among the range of authors, Fan S. Noli had admirers among all the ranks: researchers, publicists, academics and authors. From the rich bibliography of his work, it’s not difficult to notice that the researcher who has made efforts to resemble him with his life and work was no other than Rexhep Qosja. The interest for Noli derives from his original works and his translations in parallel with his national efforts and his Skanderbeg historical studies, with his polemical texts and also with his oratory. Nevertheless, the study of his work and his dedication is particularly associated with the publication of his complete work. It received characteristic and distinctive assessments, in the first place, by professor Idriz Ajeti in the ‘50s, to expand its dimensions in historical-literary studies, political treatises, polemics and intellectual assessments of professor Qosja by the end of the ‘60s and ‘70s, to continue with the studies of Hilmi Agani, Rexhep Ismajli, and to be crowned by two monographs by Mensur Raifî, and one monograph by Yll Zajmi, in the beginning of the ‘80s.

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Kronikë për Konferencën shkencore me temë: Polemikat letrare

Author(s): Laura Smaqi / Language(s): Albanian Issue: 03-04/2015

Conference report: "Literary polemics/Polemikat letrare"

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Considérations sur Vattention de Camaj à l'égard de la culture arberèch

Author(s): Italo C. Fortino / Language(s): French Issue: 01/2012

La lecture de la revue Shêjzat, fondée et pratiquement dirigée par le prof. Ernest Koliqi, permet de voir se distinguer son élève et accompagnateur fidèle Martin Camaj, qui visite avec le Maître les communautés arberèches et finit vite par se persuader qu’il est impératif d’étudier les variantes dialectales arberèches, car le temps qui passe, tel un vent lent mais irrésistible, risque d’effacer des phénomènes linguistiques archaïques qui sont encore vivants à l’époque.

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L'identità giovanile nella letteratura albanese degli anni Trenta

Author(s): Klara Kodra / Language(s): Italian Issue: 01-02/2013

Gli anni Trenta, storicamente un periodo di crisi politica, sociale, economica per l’Albania, rappresentavano stranamente, al contrario, un vero periodo aureo per la letteratura albanese che taglia definitivamente il cordone ombelicale che la legava ai miti risorgimentali e post-risorgimentali di idealizzazione dell’Albania e del carattere albanese e raggiunge una nuova maturità di pensiero e di livello estetico. In questo periodo si consolida definitivamente nella letteratura albanese il realismo critico e si disintegra il romanticismo che aveva caratterizzato la letteratura del Risorgimento insieme agli elementi del sentimentalismo che si erano manifestati alla fine dell’Ottocento ed all’inizio del Novecento.

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L ’origine du mythe pélasgique : Girolamo De Rada et Giovanni Emanuele Bidèra

Author(s): Matteo Mandalá / Language(s): French Issue: 01/2014

Comme on le sait, ce mythe, tout comme ceux qui sont liés aux hauts faits des héros du panthéon albanais - Skanderbeg, Pyrrhus, Alexandre le Grand - a eu la grande chance, y compris littéraire, de prédominer tout au long du XIXe siècle, avec des conséquences significatives qui s’étendent jusqu’à la seconde moitié du siècle suivant. Aujourd’hui encore, ce mythe surgit de temps à autre, non seulement sous ses formes anciennes, avec les mêmes méthodes parascientifiques, mais d’ailleurs avec les mêmes objectifs et prétentions qu’il a eus depuis sa toute première manifestation : témoigner que les Albanais n’étaient (ni ne sont) rien d’autre que les descendants directs des Pélasges « sacrés et glorieux » dont a écrit initialement Homère.

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Serafina Thopia de De Rada et Julie de la Nouvelle Héloïse de Rousseau

Author(s): Klara Kodra / Language(s): French Issue: 01/2014

Un trait particulier de la littérature albanaise de la Renaissance nationale a été l’enchevêtrement allant jusqu’à la fusion de deux mouvements qui, dans la littérature européenne, se sont traditionnellement suivis et reniés. Si les Lumières étaient caractérisées du culte de la raison, le romantisme était caractérisé, au contraire, du culte du sentiment. Les Lumières étaient essentiellement anticléricales et reniaient les religions traditionnelles, elles étaient distinguées par la confiance au progrès humain, alors que le romantisme vivait le désespoir historique et existentiel qui a été appelé « le mal du siècle » et alternait les cultes du passé et du présent.

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L'ossianisme préromantique italien et l'oeuvre de De Rada : considérations sur le cheminement poétique de Serafina Thopia

Author(s): Blerina Suta / Language(s): French Issue: 01/2014

Dans son étude « Les rhapsodies de De Rada dans la littérature romantique européenne », Francesco Altimari analyse le milieu naturel préromantique dans lequel De Rada a produit ses « rhapsodies » à l’exemple de la typologie du mythe macphersonien sur « l’invention des dites épopées nationales ». D’après lui, en rapport étroit avec les collecteurs de folklore italiens, Tommaseo et De Gubematis, De Rada allait opérer en tant que folkloriste dans un contexte où « le phénomène de la poésie d’Ossian [...] exerçait une large influence sur l’ensemble de la littérature européenne, suscitant l’admiration des lecteurs et des auteurs littéraires les plus éminents, comme par exemple Diderot en France, les frères Grimm et Herder en Allemagne, Cesarotti et Foscolo en Italie »\

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L ’esprit de Hylli i Dritës dans l ’oeuvre scientifique de l ’Institut des Etudes Albanaises

Author(s): Shaban Sinani / Language(s): French Issue: 01/2014

Dans son étude monographique Për gjenezën e literaturës shqipe (« Sur la genèse de la littérature albanaise »), parue dans Hylli i Dritës [nouvelle série] en 1939, Eqrem Çabej avait argumenté que la littérature albanaise du romantisme s’était développée comme une littérature d’émigration. Au cours de la première moitié du XXe siècle, cette situation a très peu changé. Si l’on emprunte une formule que Stuart E. Mann, un chercheur qui s’est intéressé de longue date à l’histoire de la littérature albanaise, emploie dans son ouvrage Albanian Literature: An Outline of Prose, Poetry and Drama [Bernard Quaritch, 1955], même durant la période de l’existence d’un État national, certains des hauts lieux des lettres albanaises ont continué à demeurer à l’étranger...

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L ’esthétique de l ’identité retrouvée

Author(s): Rexhep Qosja / Language(s): Lithuanian Issue: 02/2014

L’oeuvre littéraire et extralittéraire de Hiéronyme De Rada laisse distinguer deux dominantes conceptuelles et artistiques : la première, l’idée historique nationale et, la seconde, le lyrisme. Le célèbre linguiste Roman Jakobson appelle dominante la composante principale d’une oeuvre littéraire, de toute la création d’un écrivain et d’une période historique littéraire, celle qui détermine, rapproche, transforme et gouverne toutes les autres composantes de cette oeuvre, de cette création de l’écrivain, de cette période historique littéraire, en garantissant la cohésion de sa structure.

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Poezia e Gasper Palit

Author(s): Laura Smaqi / Language(s): Albanian Issue: 01-02/2016

Gasper Pali, is one of the authors who were not “denied” by official criticism during the second half of the last century, there were some articles about him, though not numerous. However, because his work was not published frequently and was absent in school anthologies, his remained a little known or unknown by the readers. In this paper we have combined the historical look - reflecting the treatment that was made to the author in the 1945-1990 studies - with the interpretation of some poet's poems. Pali belongs to that group of authors who had the bad luck to have a short life, a modest volume poem, distributed to the press organs and left in the script, but with values noted at the time of publication. Not rarely Gasper Pali's poems are related to Migjeni's poetry, and he was considered an author who could not reach the levels of Migjeni, and was not interested in social protests, but was focused only on his spiritual world. The two authors published their creations on the press pages without having the fortune to publish their poems in a book. When this happened as in the case of Migjeni, the work failed to communicate at that time (1936) with the reader. Pali's poetic image is unique and has its own favourite elements: twilight, shadows, skies, stars. Also visions and dreams have the main weight in his poetic vocabulary. His poetic universe is conquered by the vibrations. Numerous and continuous vibrations, a pulsation and waving that passes from the man to the space. Vibrations, sometimes as a wave, like heartbeat and pulsation, give the rhythm of poetry and transmit the extreme poet sensitivity. The poetic universe becomes one with the poet's heartbeat. Gasper Pali's poetry is one of the most interesting of the poetic creativity written in the 1930s and '40s. As an expression of a high sensitivity, of an introvert nature, this work should take its place in the history of Albanian poetry.

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Doktrina e kërshtenë e Gjon Nikollë Kazazit (1743), një sintezë katekeze e didaktike

Author(s): Evalda Paci / Language(s): Albanian Issue: 01-02/2016

The Doctrine of Kazazi (1743) seen under an analytical and substantial analysis. In this article, we will analyze some issues studied in the Kazazi's inclusive doctrine and the liturgy lexicon that was used in this catechesis manual. We will also observe aspects of the preservation of the terminology used by the ancestors of the Albanian writing tradition. Another topic will be the specifics of the terms in the texts of the Gjon Nikollë Kazazi Doctrine and the similarities and approaches to later variants on chronological points of view.

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Një përpjekje për vlerësimin e trashëgimisë së hershme letrare: Zef Jubani dhe Letërsia e Bejtexhinjve

Author(s): Genciana Abazi-Egro / Language(s): Albanian Issue: 01-02/2016

In order to participate in the international debate on the issue of who are the Albanians, Zef Jubani published in 1871 Raccolta di Canti Popolari e Rapsodie di Poemi Albanesi. Being an Albanian of Albanian lands, unlike all who wrote about the Albanian issue and culture addressed to the European public, he had a great advantage: he knew well Albanian poets who had used different scripts in writing Albanian literature. So, in this work he offered a special approach. Through literature Albanians have created for almost two centuries, he wanted “to judge the nature and the character of Albanian people and the changes that have taken place at different stages since last centuries to this day.” In this context, he also provides a historical gallery of powerful Albanian people of mind. Through this gallery of famous people, he sought to help the spiritual and mental resurrection of Albanians, as well as raising national pride and creating national patterns. The second reason leading to the compilation of this anthology of Albanian poetry, being the first of its kind in Albanian literary historiography, has to do with the idea discussed at this time regarding “the beginnings of a national literature.” The development of national literature he sought to rely on two demands: encouragement and cultivation. Continuous cultivation and strong interest Zef Jubani sees as the main ways that would lead Albanian literature towards excellence, even though Albanian literature at that time was “at the stage of childhood” and was not internationally recognized. In this context is appreciated even the publishing of literary heritage. The literary past serves as a good motive for the present, because according to Zef Jubani, a people who have born powerful literary personalities like Pjetër Bogdani, Nezim Berati and Hysen Dobraçi, is capable of doing it once again.

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Franqisk Anton Santori, Përrallëzat

Author(s): Merita Sauku-Bruci / Language(s): Albanian Issue: 01-02/2016

In the Central State Archive (AQSH), in the amount of personal funds, are also preserved manuscripts by Franqis Anton Santori which after processing are collected in the file nr. 161. This folder contains, among other things, manuscripts of over 100 tales translated or processed by Santori. It is a notebook, covered with a 21 cm x 14 cm thin cardboard cap. The cover letter is thick, dark gray, stained, folded in two, sewn with 5 knots, at a distance of 3 cm from each other.

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