Периодика 2020 – 2021
Content of the main Bulgarian scientific journals for the current year in linguistics, literature, history, folklore, ethnography, archaeology and art studies.
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Content of the main Bulgarian scientific journals for the current year in linguistics, literature, history, folklore, ethnography, archaeology and art studies.
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Defended Ph.D. theses in Bulgaria in the field of linguistics, literature, history, folklore, ethnography and art studies.
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Data about scientific events in the field of the humanities in Bulgaria in 2021.
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This article attempts to analyze P. Vezhinov’s literary work in the context of the possible binary interpretation of its narrative: realistic and fantastical. It researches the ways the raw material of the story is transformed into the plot such as external composition, focalization, the structure of the characters, and the organization of the modal-temporal aspect. It pays special attention to the peculiarities of the novella’s literary space. Both protagonists are characterized as characters of the open space. The space of the male protagonist appears flat, while the female hero maneuvers in a volumetric space. Manev's movements across the flat horizontal space are chaotic in their nature – they represent the erratic wavering of a man who lost list way and has only found purpose once Antonia Dorothea appeared in his life. The article proves that the rite de passage, which acts as the plot framework in this literary piece, doesn’t culminate in the protagonist’s achievement of a “new identity” within the novella. The study concludes that the “realistic” motivation behind the events of the novella doesn't contradict the “metaphorical” one: in both cases, this is a story about "rejection" – about the possible spiritual transformation of the protagonist that was never materialized.
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The most famous book of poetry by the Yambol poet Teodor Draganov, Hysterical Fans (Истерични веери), deserves to be the subject of wider scholarly interest. This article aims to show the functional and pragmatic characteristics of its preface, written by the poet Theodor Chakarmov. The functional characteristics of the preface that make it a pretext for a manifesto, as well as its interpretive functions are analyzed in the text. Attention is paid to the place this book of poetry takes in the context of both the Bulgarian and European avant-garde. The text will answer the following questions: who and what are the influences on the author of the preface and the author of the main text, what is the nature of their aesthetic thinking, what is the "appropriate" readership for the book, and what features of the preface and the volume make them suitable for analysis in an international context.
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The article examines the construction of memory in the memoir world of Dora Gabe and the presence of Peyo Yavorov in it. The text follows the chronology of the poetess' memoirs and analyses three narratives about Peyo Yavorov – the “first teacher”, the man whom she knows and understands and lastly the lost Yavorov. The “first teacher” narrative occupies a central place in Dora Gabe's memoirs of the poet in the 1920s and 1930s and convincingly brings forward the figure of Dora Gabe herself – these texts outline the image of the poetess, building the foundations of her own biography. The other two narratives are most pronounced in Dora Gabe's texts in the 1950s, and through them the poetess became involved in the process of acquitting and rehabilitating Peyo Yavorov in the period after 1944.
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This article presents a lesson that seeks, explains and visualizes the world of fairy tales. The idea of its genesis, deeply connected with the myth, is clarified. The students' knowledge of the peculiarities of the fairy tale genre is strengthened. The problems and conflicts in the fairy tale “The Three Brothers and the Golden Apple”, specific to the folklore model of the world, are identified and compared with the personal experience of each person. The character system in the fairy tale is made meaningful through the behavior of the characters. A spatial idea of the world in the fairy tale and the way time flows in it is built, because something has happened somewhere and once.
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The study traces the interrelationships between literature and the musical forms fugue and passion. Significant for the analysis is the information about the personality of Bach and the science of onomastics. I find a connection between the names of the characters of the novel and the great composer. I initiate a new reading of the traditional musical form of passion and the novel by exploring biblical and musical elements, finding that they are deconstructed by the author to create unconventional meanings.
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Defended Ph.D. theses in Bulgaria in the field of linguistics, literature, history, folklore, ethnography, and art studies
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Data about scientific events in the field of the humanities in Bulgaria in 2021
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