За неточното отразяване на краесловните меки съгласни на бреговския влашки говор batlas lunguistic roman

Author(s): Vladislav Marinov / Language(s): Bulgarian Issue: 2/2014

This paper offers an account of the various causes for the variety of symbols used in the representation of word-final soft consonants in the Romanian Linguistic Atlas. Comparison is drawn between lexical forms as recorded by members of a Romanian research team in the beginning of the 20th century in the town of Bregovo (Vidin region) and current forms used in the Walachian dialect spoken in the far North-West of Bulgaria.

Текстът във всекидневието на българските германци

Author(s): Tanya Matanova / Language(s): Bulgarian Issue: 1/2018

Тhis paper is focused on the presence of German and Bulgarian texts in the everyday life of German expats in Bulgaria, more exactly in their activities and communication with other people in the real world – relatives, friends, neighbours and other fellow-citizens, and on the Internet – as members of virtual communities and groups or as owners of websites.

Славянската златоустова еклога. „Слово за пришествие Христово” по ръкопис № 11 от Свято -Троицката Сергиева лавра издание. Идентификация на източниците

Author(s): Sergey Kim / Language(s): Bulgarian Issue: 2/2013

The Slavonic text of „Oration about the advent of Christ”, on which is dedicated this article is found in manuscript №11, in the Trinity Lavra of St. Sergius, dating back to the end of ХІV. The name of the manuscript is „Златая цепь / Zlataya tsepj”. Two Greek sources were found, which were considered in the offered edition of the oration. The oration is accepted as a work created on Slavonic ground.

Старобългарският езически пантеон от времето на двоеверието в „Чинъ покаянiя, паче же и скимницамъ“

Author(s): Ancho Kaloyanov / Language(s): Bulgarian,Old Bulgarian Issue: 1/2013

The Confession Rank (Chin Pokayaniya) for nuns, published in 1874, is known only because of its eleventh question with the list of pagan deities Rod and rozhantsi, Perun, Hars and Mokosh, which, so far in the Slavic studies, have been recognized as Old Russian. The study proves that this manuscript is taken from an epitheme collection of the Bulgarian church and dates back to the time of the double faith of the Bulgarians, at the end of the 9th century, and consequently the deities are from the Old Bulgarian pagan pantheon.

Фантастиката – медиум на модерността: Светослав Минков

Author(s): Nikolina Burneva / Language(s): Bulgarian Issue: 1/2019

The article introduces the reader to the context of the momentous transformations of the aesthetic and worldview paradigms at the end of ‘the long 19th century’ and the arrival of modernity in Bulgarian culture which had– until then – been traditional and folklore-based. In this context, the author traces the early work of Svetoslav Minkov – a distinguished author of fantastic literature and cofounder of Bulgarian diabolical literature. The article focuses on comparative reading of several short stories by Gustav Meyrink and Svetoslav Minkov in order to highlight the arguments supporting the discussion of this literary movement in a broad, European context.

„Сърцето на мрака“ – идеи и решения на първата българска постановка

Author(s): Margreta Grigorova,Petya Tsoneva / Language(s): Bulgarian Issue: 1/2019

Heart of Darkness is a multilayered but coherent work whose universally acclaimed appeal draws on its thematic preoccupation with the problems of initiation and cognition. The rich variety of interpretations and creative reworks of the novella vary from discussions of its importance as a sample of anticolonial fiction to the acknowledgement of its role as a precursor to contemporary fantastic literature. The first Bulgarian dramatisationof Heart of Darkness, screen-written and directed by Valeria Valcheva, is an insightful and successful attempt to do justice to both its contents and the suggestive power of its poetics translated into the language of drama.The performance combines the stylistic features of farce, cabaret, ritual and classical theatre, inserting fragments of Edgar Allan Poe, Vachel Lindsay, Tom Waits, Thomas Eliot and even Pushkin’s poems. Valcheva is particularlyconcerned with reading Conrad’s work as a “European” collective narrative where the African Other is rendered through the poetic features of mask-wearing and the symbolic “curtain” of the jungle. The performance is likewise accompanied by music that includes the “talking drums” of Congo, and its stage design was apparently borrowed from Orson Welles’s cinematic adaptations. One of the outstanding contributions of the Bulgarian performance to the earlier attempts at dramatising Conrad’s work is the use of a marionette to represent Kurtz’s self-glorified condition. The play likewise foregrounds the biographical aspect of Conrad’s work related to Conrad and Marguerite Poradowska’s correspondence.

Varia: История, ирония, етос (2. част)

Author(s): Ivan Ruskov / Language(s): Bulgarian Issue: 1/2019

The text reviews the ethos of the Bulgarian revolutionaries Zahary Stoyanov and Stoyan Zaimov, displayed in the contradiction between words and action in 1876. It outlines the ambiguous appraisals in the works of the two authors, especially with regard to the question of whether it is appropriate to use irony in writings about persons and events playing a key role in the struggle for Bulgarian liberation from Ottoman rule.

Интервю: „ЕЛА И ВИЖ САМ!“ С Валерия Вълчева, режисьорката на първият български спектакъл по „Сърцето на мрака“, разговаря Маргрета Григорова

Author(s): Margreta Grigorova / Language(s): Bulgarian Issue: 1/2019

Гласовете на диаболизма и гласните струни на литературната наука (За Гласовете на българския диаболизъм…)

Author(s): Boris Minkov / Language(s): Bulgarian Issue: 1/2019

Между отец Матей Преображенски и господин Йоаким Груев или За парадигмата на Българското възраждане (За Аделина Странджева, Историята на изкуството…)

Author(s): Elena Nalbantova / Language(s): Bulgarian Issue: 1/2019

Диалогът на културите в романите на български и турски автори „мигранти“ (Емине Йоцдамар, Феридун Заимоглу, Илия Троянов, Димитър Динев)

Author(s): Snezhana Boycheva / Language(s): English,Bulgarian Issue: 1/2019

The basic link between the four authors, mentioned in the title of the present research, is the constituting of the dialogue between the cultures in the topos of ‘between’, ‘the border space’. Central to the plotline of the novels are the so-called ‘not-places’ (non-lieux, Nicht-Orte) (Auge), transtopoi (Foucault) - airports, railway stations, harbours, planes, trains, ships, refugee camps, hotels, vacation places, parking lots, gas-stations, shopping malls. „The open“ spaces are not the only local markers; they often turn into a main character in that type of literary texts. These are the spaces that question standard models of behaviour and thinking; that change identities, transfer and gather together different cultural standards.

Дисертации

Author(s): Nikola Kazanski / Language(s): Bulgarian Issue: 45/2022

Defended PhD theses in Bulgaria in the field of linguistics, literature, history, folklore, ethnography and art studies

Поглед към българистиката в Северна Америка

Author(s): Olga Mladenova / Language(s): Bulgarian Issue: 45/2022

Шестнадесети Цар-Шишманови дни

Author(s): Rossen Malchev,Konstantin Rangochev / Language(s): Bulgarian Issue: 45/2022

Международен форум за кирилицата

Author(s): Mariyana Tsibranska-Kostova,Vanya Micheva / Language(s): Bulgarian Issue: 45/2022

Кръгла маса „Българистиката в съвременния свят – предизвикателства и възможности“

Author(s): Velka Popova / Language(s): Bulgarian Issue: 45/2022

Аксиния Джурова на 80 години

Author(s): Aleksandra Trifonova / Language(s): Bulgarian Issue: 45/2022

In memoriam Дануше Хронкова

Author(s): Nikolay Zhelev / Language(s): Bulgarian Issue: 45/2022

За книгата: Надежда Стоянова. Украси и гримаси. Мода и модерност в българската литература от 20-те и 30-те години на ХХ век. София, Изд. „Парадигма“, 2022, 378 с.

Author(s): Alexander Hristov / Language(s): Bulgarian Issue: 1/2023

Book review: Nadezhda Stoyanova. Adornments and Grimaces. Fashion and Modernity in 1920s and 1930s Bulgarian Literature. Sofia, Paradigma Press, 2022

За книгата: Миглена Николчина. Бог с машина. Изваждане на човека (от романтизма до трансхуманизма). София, „Версус“, 2022.

Author(s): Kamelia Spassova / Language(s): Bulgarian Issue: 1/2023

Book review: Miglena Nikolchina, God with Machine. Subtracting the Human (From Romanticism to Transhumanism). Sofia, Versus Publishing, 2022