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BETON - Kulturno propagandni komplet br. 200, god. XIII, Beograd, utorak, 16. oktobar 2018.
UZEMLJENJE, Aleksandra Sekulić, Dejan Vasić.
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UZEMLJENJE, Aleksandra Sekulić, Dejan Vasić.
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MIXER, Saša Ćirić: Napuštanje zmijskog legla; CEMENT, Ana Isaković: Pre i posle 51. BITEF-a; ARMATURA, Srđan Atanasovski: Religija i identitet na Kosovu; VREME SMRTI I RAZONODE, Miloš Živanović: Unutrašnji dijalog
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MIXER, Aleksandar Novaković: Jevreji kao dramatis personae u srpskoj drami; CEMENT, Bojan Samson: Ćorsokak. Retrovizor. Rikverc; ARMATURA Sonja Gočanin: Strah od hiperseksualizacije; VREME SMRTI I RAZONODE, Tomica Ćirić: Mi čekamo ovčara, Pseudo Lucić: Falolatrijska tužbalica; BLOK BR. V, Kosmoplovci: Krpelj #240
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MIXER, Branislav Jakovljević: Talenat je etička kategorija; ŠTRAFTA, Aleksandar Pavlović: Od trijumfa volje do trijumfa koka kole, Tomislav Marković: Rečnik genocidnih nedoumica; VREME SMRTI I RAZONODE, Predrag Lucić: Povijest filozofije za Todorićeve krave; BLOK BR. V, Radovan Popović: Primeri
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MIXER, Dragana Obrenić: Pravo glasa žena; CEMENT, Goran Cvetković: Na bedemima kulture; ARMATURA, Bojan Tončić: Iskušenja ratnog turizma; VREME SMRTI I RAZONODE, Predrag Lucić: Ćutke ćuti ružičnjak na Adi; BULEVAR ZVEZDA, JOVANOVIĆ DANILOV, Dragan; BLOK BR. V, Lazar Bodroža: Bolji život
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MIXER, Branislav Jakovljević: Fetiš varoš; CEMENT, Goran Cvetković: Evokacija banalnosti; ŠTRAFTA, Andrej Nikolaidis: Analna anksioznost; VREME SMRTI I RAZONODE, Petar Luković: Pregovori oko nove vlade(odlomak); BULEVAR ZVEZDA, MILANOVIĆ, Dragoljub
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MIXER, Dragan Nikolić: Između dužine i brzine; CEMENT, Goran Cvetković: Manjak radost; Š[TRAFTA, Kristina Rac: Krvotok od benzina; VREME SMRTI I RAZONODE, Miloš Živanović: The Ham-Ham Brothers II
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MIXER, Aleksandar Novaković: Kvisling iz Gročanskog sokaka; CEMENT, Marjan Čakarević: Skromnost praznine; ŠTRAFTA, Saša Ćirić: Logocentričko čišćenje filozofije; ARMATURA, Slobodan Georgijev: Nadzirana nezavisnost za Srbiju; VREME SMRTI I RAZONODE, Tomislav Marković: Nedićgrami; BULEVAR ZVEZDA, MEDAKOVIĆ, Dejan; BLOK BR. V, Lazar Bodroža: Patrijarh 3000
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MIXER, Viktor Ivančić: Tko se sjeća Srba još?; CEMENT, Dragoljub Stanković: Feminističko narodnjaštvo; ŠTRAFTA, Goran Cvetković: Posle Bitefa, Igor Đorđević: Pismo iz provincije; VREME SMRTI I RAZONODE, Tomislav Marković: Samo da knjiga ne bude, Miloš Živanović: Usamljena nagrada; BULEVAR ZVEZDA: Redakcija: Jovanović Aleksandar; BLOK BR. V., Igre koje život znače.
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CEMENT LIGHT, Saša Ćirić: Božji ratnik, Goran Cvetković: Cucla, Igor Đorđević: Svi kurjaci su različiti; VREME SMRTI I RAZONODE, Tomislav Marković: Heroji ulice, Momčilo Mihajlović: Popodne jednog tajkuna, Miloš Živanović: Dobričica i Svetislavčina, Miroslav Karaulac: Kratak pregled minulih događaja, Saša Ilić: Dijalektička antiregresija, Velimir Ćurgus Kazimir: Usmeni patent.
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Considering as premise the playwriting of William Shakespeare being one of the touchstones of humanities, in this study we will rise the question about the method through which the work of the classic writer became a way of the contemporary society to reflect some of its most polemized, keen, difficult or challenging topics. Going on, a necessary answer will be given regarding the fact that the plays of the English author get today rather the utilitarian aspect in the scenic approach or if, in fact, there are more nuanced positioning. And there are, as we can not put aside the way that artists are often perceiving the message in a whole, not only on the edge of social, documentary or politic theatre. Therefore, what is it transmitted to us and what do we transmit to history when Shakespearean plays are staged in refuges camps or when debating the veteran’s status. In our approach we will focus on some main artistic directions or forum theatre examples: Love’s Labour’s Lost directed by Corinne Jabel at Kaboul in 2005, the Hamlet Globe Théâtre's production directed on refuges camp in Calais, in 2016, and also Macbeth directed by Peter Callender or the one directed by Amy Attaway from 2019, both talking about the veteran’s or vulnerable groups status. But we believe that each of those visions are simply emphasizing the idea that the great literature fights for fundamental humanist and moral principles.
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Objectives of this article refer to ways to increase self-confidence in students from different universities in Transylvania manifested by the values of self-depreciation, infatuation and self-esteem. These are realized through the use of complex exercises on music in the form of dance-therapy and body technique.Purpose: elaboration of an action strategy to modify the self-depreciation, self-esteem, infatuation.Hypothesis: by introducing the exercises of body technique and dance-therapy, the aim is to modify the components of the ASSI psychological test: self-depreciation, infatuation and self-esteemMaterial and Methods: statistical processing was performed with the program Stats Direct v.2.7.2. The graphical representation of the results was done with the Excel application (from the Microsoft Office 2010 package). The tests used are: ASSI and an intervention program based on exercises in body technique and dance therapy.The subjects participating in the experiment with a duration of 6 months by 200 students at the Technical University Cluj-Napoca, and the extension from Baia-Mare and from the Academy of Music "Gheorghe Dima" from Cluj-Napoca.The period: of development was between October 2019 and March 2020.The results: of this study are due to the intervention program through exercises in body technique and dance therapy performed by the experimental group compared to the control group. In the case of A-SN it is a good correlation but of the opposite direction, which means that if (A) self-depreciation decreases then (SN) self-esteem increases. In the case of I-SN it is an acceptable correlation and of the same meaning, which means that if (I) the infatuation increases and (SN) the self-esteem increases, were observed statistically significantly significant differences between the two times (p <0.001).Conclusions: Statistically significant differences were observed in the indicators of the ASSI tests (self-depreciation, self-esteem, infatuation) which indicates, that our intervention program in the preliminary study had a positive and measurable impact on students in terms of improving self-depreciation and infatuation, as well as increasing self-esteem.
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MIKSER, Aleksandra Sekulić: Zapisi iz podzemlja – ogledi o tektonici jedne izložbe; Blok br. V, Danilo Milošev Wostok; Wostok/Grabowski; ŠTRAFTA, Grupa za konceptualnu politiku: Hronologije sadašnjosti Silvena Lazarisa; ZID, Tanja Ostojić: Misplaced Woman?
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ŠTRAFTA, Mirjana Boba Stojadinović: Otuđeni spektakl; CEMENT, Jovan Jović: Lorens generala Lera; ARMATURA, Jelena Veljić: Obavezna vakcinacija – pod hitno; ZID, Hamlet u dvorištu Centra za kulturnu dekontaminaciju; VREME SMRTI I RAZONODE; Vladimir Milojković: Površina od nevidljivih neprijatelja kuda idu
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MIKSER, Dušan Grlja: Čija čizma imperijalizma?; ŠTRAFTA, Aleksandra Sekulić: Dani bez datuma; ZID, Apoteka: Svaka slika postaje datum bez dana; VREME SMRTI I RAZONODE, Porša Olajviola: Električni tobogan
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MIKSER, Aleksandar Todosijević: Ko se plaši istorije?; ŠTRAFTA, Vladan Jeremić: Antinomije autonomije; ARMATURA, Aleksandra Sekulić: Avganistan Kensington; ZID, Branko Milisković: Transfiguracija; VREME SMRTI I RAZONODE, Porša Olajviola: Da moji roditelji nisu razdvojeni
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MIKSER, Galina Maksimović: Linglong – lanac (ne)odgovornosti; CEMENT, Dejan Vasić: Fino poliranje; ŠTRAFTA, Aleksandra Sekulić: Na barikadama – o Festivalu autorskog filma 2021; ZID, Bojana Knežević: „A Queen of Montenegro – Guslarske minijature“ 2018–2021
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MIKSER, Jelena Veljić i Emil Kovač: Ima li opozicije ubijanju i zašto ne; ŠTRAFTA, Aleksandra Sekulić: Distorzija; VREME SMRTI I RAZONODE, Dead Ideas: War Games; ZID, Vesna Vesić: Putanjom dalekom, usamljeni šum se zapleo u travu
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𝑆𝑜𝑐𝑖𝑒𝑡𝑎𝑠 𝐶𝑙𝑎𝑠𝑠𝑖𝑐𝑎 is a multilingual collection of papers presented at the international scientific conference that has been organized by the Department of Classical and Eastern Languages and Cultures of St. Cyril and St. Methodius University of Veliko Tarnovo (Bulgaria) since 2002. Until 2015, the conference was held annually. Since 2018, it is held once every two years. St Cyril and St Methodius University Press issues the collection within the Dr. Nicola Piccolo series. The wide range of topics and the opportunity for authors to submit their academic publications in the original language attracts researchers from all over the world.
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Poštovani partneri, prijatelji i prijateljice Fondacije Boris Divković, 2022. godinu završavamo s mnoštvom realizovanih projekata, radionica i akcija s našim učesnicima i učesnicama širom Bosne i Hercegovine, Zapadnog Balkana i ostatka Europe. U nastavku vam donosimo drugi dio ovogodišnjeg newslettera za 2022. godinu. Pored toga, više informacija uvijek možete pronaći na našoj web stranici (www.bdf.ba) ili na našim društvenim mrežama. Hvala što pratite naš rad!
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