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Ваша светлости; Од куда долази наша сиромаштина? (Свршетак); У Шапцу 15. Новембра; С велике школе; Јавна преписка; Из позоришта; На знање;
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О нашем закону о печатњи (Наставак); Рад народне скупштине; У скорашњем запетом стању у Француској (Наставак); Из Позоришта; На знање;
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The essay surveys the different types of identity transformations of the protagonists in the literary works of the Polish Romantic poet Adam Mickiewicz in the context of the physical and spiritual transformations of the humankind from Adam and Eve until the 21st century. The supernatural changes the Mickiewicz’s heroes undergo are based on the Romantic postulate that the rational mind cannot always provide an explanation for the things happening in our lives. Through the multiple identity transformations in his works, Mickiewicz underlines the strong connection between the worlds of the living and the dead and instructs his reading audience on how to deal with current social, ethical and nationally significant issues.
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The study uses methodology “cultural memory studies” to feature the National Theater as a place of memory. It focuses on the building as a symbol and attempts to describe the way, in which the symbolic architecture represents the past and enters the memory praxis of the nation (decoration of the theater, canonical repertoire, festivities, collections and so-called theater trains as actions of national participation). The author adds a dynamic extent of remembrance to a traditional approach – place of memory as a depository of representations of history. He contemplates the National Theater as an “empty place” – a framework of a specific social and cultural context to deliver substance of the past. The study analyses the process of the National Theater constitution as a place of memory – especially in the connection with the 1881 fire. This “national tragedy” symbolized one of the most powerful experiences of the modern Czech nation, that as a strong shared affection reflected itself in the process of constitution of the national identity. In this instance the study utilizes theme of trauma used by Aleida Assmann in the frame of the memory studies. The study uses a few cases to demonstrate memory praxis closely linked to a symbolic space of the National Theater (production of the Čapek’s theater play the White Disease (Bílá nemoc) in 1937, role of the theater during political changes in 1989).
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MIXER, Branislav Jakovljević: Srbija u čizmama; CEMENT, Goran Cvetković: Mizogini roštilj; ARMATURA, Dušan Pržulj: Povratak pesnice, Szerbhorváth György: Várady, pravo, pravičnost i moral; VREME SMRTI I RAZONODE, Predrag Lucić: Rezolucija o Srebrenici; BULEVAR ZVEZDA, SAVIĆ, Dušan (Dule); BLOK BR. V, Kosmoplovci: Euro
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MIXER, Ana Jovanović: Život poslušnih tela; CEMENT, Goran Cvetković: O(d)govaranje Ljubiše; ARMATURA, Zoran Janić: Tri neba Semjuela Baka; VREME SMRTI I RAZONODE, Predrag Lucić: Jad Vašemu, jadne vaši, ne pakujte Tomić Jaši!; BULEVAR ZVEZDA, NOGO, Rajko Petrov; BLOK BR. V, L. Bodroža & T. Marković: Karta srpskog spasa (13)
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MIXER, Boško Tomašević: Pamflet o pamfletu; CEMENT, Igor Đorđević: Petljanje; ŠTRAFTA, Goran Cvetković: Godina izneverenih očekivanja; VREME SMRTI I RAZONODE, Predrag Lucić: BULEVAR ZVEZDA, DRAŠKOVIĆ, Vuk; BLOK BR. V, L. Bodroža & T. Marković: Karta srpskog spasa (15)
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MIXER, Zoran Janić: Jaspersovo pitanje krivice; CEMENT, Goran Cvetković: Sva ministarkina lica; ARMATURA, Faruk Šehić: Talibanskim stazama revolucije; VREME SMRTI I RAZONODE, Predrag Lucić: Serbia Konfidenšl; BULEVAR ZVEZDA, LIMONOV, Eduard; BLOK BR. V, L. Bodroža & T. Marković: Karta srpskog spasa (17)
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MIXER, Aleksandar Novaković: Nebesni Ljotićev Trinidad; CEMENT, Saša Ćirić: U svetu caruje drugarstvo; ARMATURA, Bojan Tončić: Pozivar je srce Srbije; VREME SMRTI I RAZONODE, Recycle Bin Laden: Ja opet biću vlast; BULEVAR ZVEZDA, Marojević, prof. dr Radmilo
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CEMENT/Karaoke obračun, Nenad Teofilović, Vrteška, Dereta, Beograd 2008., Saša Ćirić: Teofilović III, Marija Nenezić: Gde je tu Korto Malteze?; ARMATURA, Bojan Tončić: Neman je pred vratima; VREME SMRTI I RAZONODE, Predrag Lucić: Kako Dobrica Ćosić čita Karla Jaspersa; BULEVAR ZVEZDA, KILIBARDA, Novak
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MIXER, Slobodan Karamanić: Zločin i pravna fikcija; CEMENT, Nemanja Mitrović: Kad smo kod puževa...; ŠTRAFTA/KARAOKE OBRAČUN, Goran Cvetković: Završni pogled, Aleksandar Novaković: Bez reči i poruke; VREME SMRTI I RAZONODE, Tomislav Marković: Molim te, ministre; BULEVAR ZVEZDA, LJUŠIĆ, Radoš; BLOK BR. V, Mir na zemlji
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Uvodna reč; MIXER, Agata Juniku: Asfaltiranje Titova puta; CEMENT, Dejan Ognjanović: Mali korak za SF,ali veliki za ... Rečnik; ARMATURA, Svetlana Slapšak: Kosovo u glavi; VREME SMRTI I RAZONODE, Tomislav Marković: Pileći mozak; BULEVAR ZVEZDA, ĐOGO, Gojko; BLOK BR. V, Kosmoplovci: Patrijarh 3000
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MIXER, Branislav Jakovljević: Ćosićev Tito; CEMENT, Mirko Đorđević: S Kalemegdana, pogled u prazno; ŠTRAFTA, Aleksandar Novaković: Pozorišno mešano meso; VREME SMRTI I RAZONODE, Miloš Živanović: Jezičke nedoumice; BULEVAR ZVEZDA, VUČELIĆ, Milorad; BLOK BR. V, Kosmoplovci: Bez reči,
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MIXER, Jelena Gligorijevć: EXIT FESTIVAL; CEMENT, Goran Cvetković: Lukrativni stereotipi; ŠTRAFTA, Saša Ćirić: Šamar časti; VREME SMRTI I RAZONODE, Tomislav Marković: Ti si sav moj bol; BULEVAR ZVEZDA, MIHAILOVIĆ, Kosta; BLOK BR. V, Kosmoplovci: Tehno
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MIXER, Aleksandar Pavlović: Rađanje srpstva iz duha paganstva; CEMENT, Goran Cvetković: Cirkus u muzeju; ŠTRAFTA, Miloš Živanović: Šumadijski treš, Saša Ćirić: Čemu još Akademija?; VREME SMRTI I RAZONODE, Tomislav Marković: Čitaj za život, droga ne!, Ivan Pravdić: Dlakava politika; BULEVAR ZVEZDA, VITEZOVIĆ, Milovan; BLOK BR. V, Kosmoplovci: Fakato
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MIXER, Miloš Živanović: Oko srpskog boga Saurona; CEMENT, Dragoljub Stanković: Homer podzemlja; ŠTRAFTA, Goran Cvetković: Protekla pozorišna sezona, Saša Ilić: Albatrasove premijere; VREME SMRTI I RAZONODE, Tomislav Marković: Noen est pomen/Kako živi Koštuntun, Miloš Živanović: Mi smo Sila, mi smo Imperija!; BULEVAR ZVEZDA: Toholj, Miroslav; BLOK BR. V, Lambada.
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MIXER, Saša Ćirić: Ubiti mitsku rugalicu; CEMENT, Svetlana Slapšak: Čovek prljavih nogu; ŠTRAFTA, Saša Ilić: Kosovo- „jedini pravi taster“, Pavle Rak: Žanrovske metamorfoze kosovskog zaveta; ARMATURA, Slobodan Georgijev: Sa Kosovom ili na njemu; VREME SMRTI I RAZONODE, Tomislav Marković: Ustavni epigrami, Na Gazi-mestanu; BULEVAR ZVEZDA: Redakcija: Rakitić Slobodan; BLOK BR. V., Kosmoplovci: Flash!
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Borderline Offensive is a transnational and transdisciplinary artistic platform, exploring how art & humour contribute to intercultural dialogue, social integration, and peace within and beyond Europe. We employ art, participation, and playful attitudes as tools for non-violent activism and creative transgression, in the fight against fear, populism, and existential anxiety. We open situations of dialogue between natives, newcomers, oldtimers, and outsiders, starting from the shared absurdities and obscenities of life that make us laugh, together. We laugh in the face of fear, and we want YOU to join us in celebrating the joys of life without becoming bitter and broken.
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Granica povreda je transnacionalna i transdisciplinarna umetnička platforma koja istražuje kako umetnost i humor doprinose interkulturnom dijalogu, društvenoj integraciji i miru unutar, i izvan Europe. Umetnost, participaciju i razigrani pristup koristimo kao alate za nenasilni aktivizam i kreativnu transgresiju u borbi protiv straha, populizma i egzistencijalne teskobe. Stvaramo prostor za dijalog između domaćina i novopridošlog stanovništva, starosedelaca i autsajdera, polazeći od zajedničkih životnih apsurda i gadarija koje nas, sve skupa, zasmejavaju. Strahu se smejemo u lice, i želimo da nam se i TI pridružiš u veličanju životnih radosti kako ne bi postali ogorčeni i slomljena duha.
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Fond za otvoreno društvo po drugi put se predstavlja našoj javnosti kao inicijator i kreator jednog kulturnog događaja. Posle prošlogodišnjeg festivala Alterimage 96, kojim je u okviru 30. Bitefa predstavljena jugoslovenska alternativna scena, ove godine Fond zapoćinje novi niz akcija zaokruženih u manifestaciju “Žudnju za životom" u Zabrinutom septembru, godini stogodišnjice rođenja Vilhelma Rajha.
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